The right to look: a counterhistory of visuality

Mirzoeff, Nicholas (2011) The right to look: a counterhistory of visuality. Duke University Press. ISBN 9780822349181

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Abstract

In The Right to Look, Nicholas Mirzoeff develops a comparative decolonial framework for visual culture studies, the field that he helped to create and shape. Casting modernity as an ongoing contest between visuality and countervisuality, or “the right to look,” he explains how visuality sutures authority to power and renders the association natural. An early-nineteenth-century concept, meaning the visualization of history, visuality has been central to the legitimization of Western hegemony. Mirzoeff identifies three “complexes of visuality” - plantation slavery, imperialism, and the present-day military-industrial complex - and explains how, within each, power is made to seem self-evident through techniques of classification, separation, and aestheticization. At the same time, he shows how each complex of visuality has been countered - by the enslaved, the colonized, and opponents of war, all of whom assert autonomy from authority by claiming the right to look. Encompassing the Caribbean plantation and the Haitian revolution, anticolonialism in the South Pacific, antifascism in Italy and Algeria, and the contemporary global counterinsurgency, The Right to Look is a work of astonishing geographic, temporal, and conceptual reach.

Item Type: Book
Additional Information: Hardback ISBN: 9780822348955
Research Areas: A. > School of Art and Design
Item ID: 12705
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Depositing User: Users 3197 not found.
Date Deposited: 21 Nov 2013 10:58
Last Modified: 13 Oct 2016 14:29
URI: https://eprints.mdx.ac.uk/id/eprint/12705

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