Dance as sign and unruly corporeality in Pasolini’s film and film theory

Franko, Mark (2012) Dance as sign and unruly corporeality in Pasolini’s film and film theory. Studi Pasoliniani: rivista internazionale, 6 . pp. 41-52. ISSN 1973-3232

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Abstract

This article places Pasolini’s discussion of the presence of live bodies in cinematic practice in dialogue with his actual use of dance movement in his films. It weighs Pasolini’s involvement with structural linguistics in the 1960s against his apparent belief in the pre-critical and pre-reflexive role of dance and vocal movement in culture to analyze how his theory of the shot and his use of dance have both theoretical and political significance.

Item Type: Article
Research Areas: A. > School of Media and Performing Arts > Performing Arts
Item ID: 12132
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Depositing User: Users 3197 not found.
Date Deposited: 07 Oct 2013 15:11
Last Modified: 13 Oct 2016 14:28
URI: https://eprints.mdx.ac.uk/id/eprint/12132

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