Reputational capital, creative conflict and Hollywood independence: the case of Hal Ashby

Drake, Philip (2012) Reputational capital, creative conflict and Hollywood independence: the case of Hal Ashby. In: American independent cinema: indie, indiewood and beyond. King, Geoff, Molloy, Claire and Tzioumakis, Yannis, eds. Routledge, pp. 140-152. ISBN 9780415684293.

Abstract

[Summary of the book containing this chapter:] The American independent sector has attracted much attention in recent years, an upsurge of academic work on the subject being accompanied by wider public debate. But many questions remain about how exactly independence should be defined and how its relationship might be understood with other parts of the cinematic landscape, most notably the Hollywood studios. Edited and written by leading authors in the field, American Independent Cinema: indie, indiewood and beyond offers an examination of the field through four sections that range in focus from broad definitions to close focus on particular manifestations of independence. A wide variety of examples are included but within a framework that offers insights into how these are related to one another.

More specifically this collection offers:

- an account of recent developments as well as reviewing, reassessing and revising a number of central positions, approaches and arguments relating to various parts of the independent and/or indie sector.
- Individual case studies that range from the distinctive qualities of the work of established ‘quality’ filmmakers such as Wes Anderson, Steven Soderbergh and Rebecca Miller to studies of horror genre production at the more ‘disreputable’ end of the independent spectrum.
- Examples of the limits of independence available in some cases within Hollywood, including studies of the work of Stanley Kubrick and Hal Ashby.
Case studies of under-researched areas in the margins of American independent cinema, including the Disney nature films and Christian evangelical filmmaking.
- A number of wider overview chapters that examine contemporary American independent cinema from a number of perspectives.

Together, the chapters in the collection offer a unique contribution to the study of independent film in the United States.

Contributors: Warren Buckland, Philip Drake, Mark Gallagher, Geoff King, Peter Krämer, Novotny Lawrence, James MacDowell, Claire Molloy, Michael Z. Newman, Alisa Perren, James Russell, Thomas Schatz, Michele Schreiber, Janet Staiger, Yannis Tzioumakis, Sarah Wharton

Item Type: Book Section
Research Areas: A. > School of Media and Performing Arts > Media
Item ID: 11265
Depositing User: Users 3197 not found.
Date Deposited: 11 Jul 2013 15:43
Last Modified: 13 Oct 2016 14:27
URI: https://eprints.mdx.ac.uk/id/eprint/11265

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